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・ The Doctor's Case
・ The Doctor's Daughter
・ The Dividing Island
・ The Dividing Line
・ The Dividing Line (Youth Brigade album)
・ The Divine (graphic novel)
・ The Divine Cage
・ The Divine Canary
・ The Divine Caste
・ The Divine Child
・ The Divine Comedy (Ai Weiwei album)
・ The Divine Comedy (band)
・ The Divine Comedy (disambiguation)
・ The Divine Comedy (film)
・ The Divine Comedy (Milla Jovovich album)
The Divine Comedy (Smith)
・ The Divine Comedy Tour
・ The Divine Conspiracy
・ The Divine Emma
・ The Divine Enchantment
・ The Divine EP
・ The Divine Folly
・ The Divine Gift
・ The Divine Heritage of the Yadavas
・ The Divine Horsemen
・ The Divine Image
・ The Divine Institution of Marriage
・ The Divine Invasion
・ The Divine Jetta
・ The Divine Kiss


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The Divine Comedy (Smith) : ウィキペディア英語版
The Divine Comedy (Smith)

The ''Divine Comedy Symphony'' is Robert W. Smith’s first complete symphonic band symphony. It was based on Dante's epic, The Divine Comedy. Smith had studied this, and Homer’s Odyssey, at Troy.
The classical symphony consists of four movements – each following a distinct pattern.
==Movement One: “The Inferno”==
“The Inferno” was commissioned by the James Madison University Band, and was completely published in 1995. The movement follows the events of the epic poem, using musical references to the events in select cantos of ''Inferno''. An Oboe solo in B-flat minor begins the symphony. Enormous crescendos, violent percussion, and towering blocks of sound quickly lead the audience into Danté’s vision of hell. A furious ostinato is used three times in this piece, first by flutes, then clarinets, and finally by the saxophones. In typical overture form, the song slows down as Danté makes his way down in the very depths of hell. Each of the movements in this symphony have a vocal effect, and in the Inferno, this takes the form of howls of pain, balanced rhythmically with whip cracks. The piece takes a coda, and finishes with an extremely difficult timpani solo accompanied by violent and sporadic hits of the gong, although many performances however, omit this solo and instead have the timpani rolling into silence on a B-flat due to the difficulty. The oboe, piccolo, and timpani feature prominently in this movement.

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